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As the century draws to a close, America has become recognized as one of the most, if not the most, powerful artistic and cultural forces in the world. Why and how this came about, and the astonishing parade of artistic achievement that resulted, is the�subject of this extraordinarily rich volume.
- Sales Rank: #426778 in Books
- Published on: 1999-04-01
- Original language: English
- Number of items: 1
- Dimensions: 11.30" h x 1.40" w x 9.80" l, 5.28 pounds
- Binding: Hardcover
- 406 pages
Amazon.com Review
To celebrate the coming millennium, the Whitney Museum of American Art is mounting a tremendous nine-month show covering American art from 1900 to 2000. The American Century: Art and Culture, 1900-1950, by curator Barbara Haskell, is the catalog for the first part of the exhibition. Included are images from painting, sculpture, photography, architecture, and design, providing a comprehensive overview of artistic and cultural ideas in the first half of this century. The book is broken into four chapters, beginning with "America in the Age of Confidence: 1900-1919," which includes beautiful John Singer Sargent paintings depicting American aristocratic life and silver objects from Tiffany and Company. Next comes the "Jazz Age in America: 1920-1929," with images documenting the importance of cinema: movie stills and an exquisite portrait of Gloria Swanson in lace. Also included in this period is a focus on industrial architecture as seen through the paintings of Charles Sheeler, Charles Demuth, and Joseph Stella, with their precise but almost abstract renderings of the changing American landscape. Chapter 3, "America in Crisis: 1930-1939," and chapter 4, "War and Its Aftermath: 1940-1949," include many photographs that map the changes in American life during this tumultuous period, from the dustbowl photos of Dorothea Lange to Weegee's pictures of the seamier side of New York City. Within the immensity of this catalog are discussions that relate the works of art to specific cultural phenomena and map the changing trends in the creation of American art. --Jennifer Cohen
From Publishers Weekly
A marvelous visual tour of an America growing in stature and confidence in the art world as it grows politically and economically into a superpower, this exhibition catalogue accompanies the first half of a survey of 20th-century American art and culture at the Whitney Museum. The widely diverse work coveredAranging from dance and commercial art to the creations of an avant-garde in dialogue with European Modernist factionsAis presented in more than 700 well-chosen illustrations. Although the book designers have done a wonderful job grouping the reproductionsAthe pages are often stunningAthe layout of the text is disorienting, as sidebars (50 short essays written by 22 contributors) often interrupt Haskell's main text. Still, particularly in Haskell's coverage of painting, sculpture and photography, the writers have supplied thorough political, historical and cultural contexts. Haskell shows that regionalist painter and printmaker Thomas Hart Benton found fame as a populist and nationalist, and that his reputation suffered when, faced with WWII, the U.S. public turned internationalist. Haskell also traces the impact of economic conditions on photography's subject matter. During the optimistic Jazz Age, when "an equation of America with the machine and technology" held sway, beautiful, idealizing pictures of machinery were in vogue. With the depression came a loss of faith in technology, and documentary photography capturing the plight of the rural poor became popular. While one cannot do justice to The Great Gatsby in a single sentence, as attempted here, this survey, given its vast scope and ambitious framing must be commended for its effective presentation of the big picture. (May) FYI: The exhibition opened this month. The second half, covering 1951-2000, opens in September and that catalogue, by Lisa Phillips, will follow in October.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
With this showAand the sister exhibition opening in September that will cover the second half of the centuryAthe Whitney Museum of American Art aims to revitalize its mission. Will the museum emerge as the staid caretaker of a fixed canon or as a provocateur engaging the current scene and re-evaluating conventional history? This catalog would seem to indicate the former. Curator Haskell is to be commended above all for integrating the social context and cultural developments in a multitude of sidebars by more than 20 experts, and the book manages to bring together a large number of images without devolving into an old-favorites compendium. The problems are less overt. There is the vaguely textbookish toneAthe gray writing lacks the flashes of wit and opinion to be found in Robert Hughes's American Visions (LJ 5/1/97), for instance. An allegiance to the standard history leaves virtually no room to acknowledge art being produced outside New York or outside canonized movements. A silly, doctrinaire refusal to print non-American illustrations will leave neophytes wondering about the already too-scarce references to European and Asian influences in these years before the U.S. hegemony. An acceptable but disappointing entry, this will nonetheless be requested.AEric Bryant, "Library Journal"
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Great images less than great text.
By J. Remington
This, the first volume of a two volume work (this is by far the stronger of the two)may not contain the strongest prose in terms of capturing the moment in history when America finally began to assert her own unique voice in the visual arts, but it does boast many glorious images.
Maybe this book is nothing more than a glorified coffee table book, but what a fine, colorful one it is. The book is crammed full of beautiful reproductions of some of the finest work America's shores ever produced: Stella, Johns, Pollock, O'Keefe, Lawrence, Benton, Hopper and Calder all recieve detailed representation.
Being personally obsessed with the art of the Depression, I particularly valued the long, detailed chapter contained here.
Many hours have evaporated as I have lost myself in the many rich reproductions. This book, when enjoyed in union with Robert Hughes' excellent "American Visions" (which supplies the much needed rich prose), serves as a fine celebration of America's visual culture. A fine addition to any library.
0 of 0 people found the following review helpful.
Perfect for any history buff or patriot's library :)
By kj
Very interesting summery of different time periods. Illustrations with descriptive, short details about each major event. A great reference and a good source for information.
0 of 0 people found the following review helpful.
Art history as cultural history
By C. Fischer
The commentary was interesting and valuable. Great for art historians but even better for cultural historians.
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